News in the Library

Film music and beyond: writings on music and the screen, 1946-59

Hans Keller; edited by Christopher Wintle

(Plumbago, 2006)

The ear (The Oxford handbook of auditory science)

edited by Paul Fuchs

(Oxford University Press, 2010)

World music: a global journey

Terry E. Miller & Andrew Shahriari

(Routledge, 2009)

Liszt as transcriber

Jonathan Kregor

(Cambridge University Press, 2010)

The music of Wilhelm Friedemann Bach

David Schulenberg

(University of Rochester Press, 2010)

Music and the aesthetics of modernity: essays

edited by Karol Berger & Anthony Newcomb

(Harvard University Dept. of Music, 2005)

Opera after 1900

edited by Margaret Notley

(Ashgate, 2010)

The autobiography of Ludwig Fischer: Mozart’s first Osmin

Paul Corneilson

(Mozart Society of America, 2011)

The Routledge companion to philosophy and music

edited by Theodore Gracyk and Andrew Kania

(Routledge, 2011)

The Cambridge companion to the Beatles

edited by Kenneth Womack

(Cambridge University Press, 2009)

The operas of Benjamin Britten: expression and evasion

Claire Seymour

(Boydell & Brewer, 2007)

The clarinet in the classical period

Albert R. Rice

(Oxford University Press, 2003)

Thermatischer Katalog der Musikhandschriften: (Signaturengruppe Mus. Hs.);

mit einem vollstandigen Verzeichnis der Werke Johann Melchior Molters (MWV)

Beschrieben von Armin Brinzing

(Otto Harrassowitz, 2010)

Cristobal de Morales: sources, influences, reception

edited by Owen Rees and Bernadette Nelson

(Boydell, 2007)

Britten’s Gloriana: essays and sources

edited by Paul Banks

(Boydell press, 1993)

Mendelssohn, Goethe, and the Walpurgis night: the heathen muse in European culture, 1700-1850

John Michael Cooper

(University of Rochester Press, 2007)

The art and science of dance/movement therapy: life is dance

edited by Sharon Chaiklin and Hilda Wengrower

(Routledge, 2009)

Shostakovich studies 2

edited by Pauline Fairclough

(Cambridge University Press, 2010)

Harmony in Schubert

David Damschroder

(Cambridge University Press, 2010)

The musician in literature in the age of Bach

Stephen Rose

(Cambridge University Press, 2011)

Modernism and popular music

Ronald Schleifer

(Cambridge University Press, 2011)

The variations of Johannes Brahms

Julian Littlewood; introduced by Alexander Goehr

(Plumbago Books, 2004)

Music, culture and social reform in the age of Wagner

James Garratt

(Cambridge University Press, 2010)

The Cambridge companion to Wagner

edited by Thomas S. Grey

(Cambridge University Press, 2008)

Beethoven the pianist

Tilman Skowroneck

(Cambridge University Press, 2010)

The sonata

Thomas Schmidt-Beste

(Cambridge University Press, 2011)

The rock history reader

edited by Theo Cateforis

(Routledge, 2007)

The early symphony: 18th-century views on composition and analysis

by Marie Louise Gollner

(Routledge, 2004)

Beethoven’s century: essays on composers and themes

Hugh Macdonald

(University of Rochester Press, 2008)

Gregorian chant

David Hiley

(Cambridge University Press, 2009)

Music, science, and the rhythmic brain: cultural and clinical implications

edited by Jonathan Berger and Gabe Turow

(Routledge, 2011)

Jews, race, and popular music

Jon Stratton

(Ashgate, 2009)

Operatic afterlives

Michal Grover-Friedlander

(Zone Books, 2011)

The musical language of Pierre Boulez: writings and compositions

Jonathan Goldman

(Cambridge University Press, 2011)

Music in the human experience: an introduction to music psychology

Donald A. Hodges and David C. Sebald

(Routledge, 2011)

The Cambridge companion to Richard Strauss

edited by Charles Youmans

(Cambridge University Press, 2010)

Learning sequences in music: a contemporary music learning theory

Edwin E. Gordon

(GIA Publications, 2007)

Discovering Mahler: writings on Mahler, 1955-2005

Donald Mitchel; selected by Gaston Fournier-Facio and Richard Alston; edited by Gaston Fournier-Facio; co-ordinating editor, Jill Burrows

(Boydell Press, 2007)

The life of Schumann

Michael Musgrave

(Cambridge University Press, 2011)

Inside Beethoven’s quartets: history, interpretation, performance

Lewis Lockwood and the Juilliard String Quartet, Joel Smirnoff, Ronald Copes, Samuel Rhodes, Joel Krosnick

(Harvard University Press, 2008)

Remembering the future

Luciano Berio

(Cambridge University Press, 2006)

Shostakovich’s preludes and fugues: contexts, style, performance

Mark Mazullo

(Yale University Press, 2010)

European music and musicians in New York City, 1840-1900

edited by John Graziano

(University of Rochester Press, 2006)

Mediterranean Israeli music and the politics of the aesthetic

Amy Horowitz

(Wayne State University Press, 2010)

Schubert in the European imagination

Scott Messing

(University of Rochester Press, 2006-2007)

Wagner and the erotic impulse

Laurence Dreyfus

(Harvard University Press, 2010)

Hitchcock’s music

Jack Sullivan

(Yale University Press, 2006)

Music theory through improvisation: a new approach to musicianship training

Edward Sarath

(Routledge, 2010)

Teaching music at the secondary level: a pedagogical and curricular guide

by Steven Porter and Joel Smales

(Phantom Publications in association with Players Press, 2001)

The Cambridge companion to medieval music

edited by Mark Everist

(Cambridge University Press, 2011)

Edgard Varese: composer, sound sculptor, visionary

edited by Felix Meyer and Heidy Zimmerman

(The Boydell Press, 2006)

גארי ברתיני בחיי המוסיקה בישראל

מיכל זמורה-כהן

(כרמל, תשע"ב)

New books - January - Mars 2012

Reading Mahler: German culture and Jewish identity in fin-de-siecle Vienna

Carl Niekerk

(Camden House, 2010)

Richard Wagner: a research and information guide, 2nd ed.

Michael Saffle

(Routledge, 2010)

Sociology and music education

Edited by Ruth Wright

(Ashgate, 2010)

The early clarinet: a practical guide

Colin Lawson

(Cambridge University Press, 2000)

History, imagination, and the performance of music

Peter Walls

(Boydell Press, 2003)

Opera’s second death

Slavoj Zizek and Mladen Dolar

(Routledge, 2002)

Moving music: dialogues with music in twentieth-century ballet

Stephanie Jordan

(Dance Books, 2000)

Grieg: music, landscape and Norwegian identity

Daniel M. Grimley

(Boydell Press, 2006)

Ravel studies

Edited by Deborah Mawer

(Cambridge University Press, 2010)

The practice of medieval music: studies in chant and performance

Thomas Forrest Kelly

(Ashgate Press, 2010)

Machaut’s music: new interpretations

Edited by Elizabeth Eva Leach

(Boydell Press, 2003)

The chamber cantatas of Antonio Vivaldi

Michael Talbot

(Boydell Press, 2006)

A companion to Wagner’s Parsifal

Edited by William Kinderman and Katherine R. Syer

(Camden House, 2005)

Catch and glee culture in eighteenth-century England

Brian Robins

(Boydell Press, 2006)

The Cambridge companion to Gilbert and Sullivan

Edited by David Eden and Meinhard Saremba

(Cambridge University Press, 2009)

The Renaissance reform of medieval music theory: Guido of Arezzo between myth and history

Stefano Mengozzi

(Cambridge University Press, 2010)

Music education: source readings from ancient Greece to today, 3rd ed.

Edited by Michael L. Mark

(Routledge, 2008)

Music in the school

Janet Mills

(Oxford University Press, 2005)

Women, music, culture: an introduction

Julie C. Dunbar

(Routledge, 2011)

Middle school general music: the best part of your day

Elizabeth Ann McAnally

(Rowman & Littlefield Education, 2009)

Cross-curricular teaching and learning in the secondary school - the arts: drama, visual art, music and design

Martin Fautley and Jonathan Savage

(Routledge, 2011)

The music teaching artist’s bible: becoming a virtuoso educator

Eric Booth

(Oxford University Press, 2009)

Teaching music in higher education

Colleen M. Conway, Thomas M. Hodgman

(Oxford University Press, 2009)

A field guide to student teaching in music

Ann C. Clements and Rita Klinger

(Routledge, 2010)

Learning, teaching, and musical identity: voices across cultures

Edited by Lucy Green

(Indiana University Press, 2011)

Teaching music in the secondary schools, 5^th ed.

Charles R. Hoffer

(Schrimer Gengage Learning, 2001)

Teaching music in the twenty-first century, 2^nd ed.

Lois Choksy

(Prentice Hall, 2001)

Twentieth-century chamber music, 2^nd ed

James McCalla

(Routledge, 2003)

The Ashgate research companion to experimental music

Edited by James Saunders

(Ashgate, 2009)

Contemporary music: theoretical and philosophical perspectives

Edited by Max Paddison and Irene Deliege

(Ashgate, 2010)

Alexander Zemlinsky: a lyric symphony

Marc D. Moskovitz

(Boydell, 2010)

CageTalk: dialogues with and about John Cage

Edited by Peter Dickinson

(University of Rochester Press, 2006)

Essays on opera, 1750-1800

Edited by John A. Rice E

(Ashgate, 2010)

Music, experiment and mathematics in England, 1653-1705

Benjamin Wardhaugh

(Ashgate, 2008)

Brahms and the scherzo: studies in musical narrative

Ryan McClelland

(Ashgate, 2010)

Understanding Mozart’s piano sonatas

John Irving

(Ashgate, 2010)

Imogen Holst: a life in music, Rev. ed.

Edited by Christopher Grogan

(Boydell Press, 2010)

German Lieder in the nineteenth century, 2nd ed.

Edited by Rufus Hallmark

(Routledge, 2010)

Franz Schubert: music and belief

Leo Black

(Boydell Press, 2003)

Chinese music, 3rd Edition

Jin Jie ; [translated by Wang Li & Li Rong]

(Cambridge University Press, 2011)

Music in television: channels of listening

Edited by James Deaville

(Routledge, 2011)

The biographical encyclopedia of jazz

Leonard Feather and Ira Gitler, with the assistance of Swing journal, Tokyo

(Oxford University Press, 1999)

A fusion of traditions: liturgical music in the Copenhagen Synagogue

Jane Mink Rossen and Uri Sharvit

(University Press of Southern Denmark, 2006)

Anton Bruckner, Symphony no. 8

Benjamin M. Korstvedt

(Cambridge University Press, 2000)

New perspectives on music and gesture

Edited by Anthony Gritten and Elaine King

(Ashgate, 2011)

Richard Wagner: Tristan und Isolde

Edited by Arthur Groos

(Cambridge University Press, 2011)

The Cambridge companion to recorded music

Edited by Nicholas Cook … [et. al]

(Cambridge University Press, 2009)

Musical structure and extramusical meaning in the concert overtures of Felix Mendelssohn

William Lyle Pelto

(Thesis (Ph. D.)--University of Texas at Austin, 1993)

תיאור הפריט

Elgar the music maker

Diana McVeagh

(Boydell Press, 2007)

Interaction, improvisation, and interplay in jazz

Robert Hodson

(Routledge, 2007)

The early horn: a practical guide

John Humphries

(Cambridge University Press, 2000)

Opera and modern culture: Wagner and Strauss

Lawrence Kramer

(University of California Press, 2004)

Gustav Mahler

Jens Malte Fischer

(Yale University Press, 2011)

An introduction to the dramatic works of Giacomo Meyerbeer: operas, ballets, cantatas, plays

Robert Ignatius Letellier

(Ashgate, 2008)

The music of the other: new challenges for ethnomusicology in a global age

Laurent Aubert; with a foreword by Anthony Seeger; translated by Carla Ribeiro

(Ashgate, 2007)

Movie music, the film reader

Edited by Kay Dickinson

(Routledge, 2003)

Music for silenced voices: Shostakovich and his fifteen quartets

Wendy Lesser

(Yale University Press, 2011)

Ethnomusicology: a research and information guide, 2nd ed.

Jennifer C. Post

(Routledge, 2011)

Gabriel Faure: a research and information guide, 2nd ed.

Edward R. Phillips

(Routledge, 2011)

The making of a Reform Jewish cantor: musical authority, cultural investment

Judah M. Cohen

(Indiana University Press, 2009)

A descriptive bibliography of art music by Israeli composers

Alice Tischler

(Harmonie Park Press, 2011)

Nannerl Notenbuch: vollstandiges Faksimile aller erhaltenen Teile der Handschrift

mit einer Einfuhrung und einem Nachwort von Ulrich Leisinger

(Strube Verlag, 2010)

Musical gestures: sound, movement, and meaning

Edited by Rolf Inge Gody and Marc Leman

(Routledge, 2010)

All the gods: Benjamin Britten’s Night-piece in context

Christopher Wintle; edited by Julian Littlewood

(Britten Estate Limited and the Institute of Advanced Musical Studies (KCL) in association with Plumbago Books, 2006)

תיאור הפריט ע"י המו"ל - חלק I

Der Tonwille: pamphlets in witness of the immutable laws of music: offered to a new generation of youth (2 vols.)

by Heinrich Schenker; edited by William Drabkin; translated by Ian Bent ... [et al.]

(Oxford University Press, 2004-2005)

תיאור הפריט ע"י המו"ל - חלק II

The John Coltrane reference

Chris DeVito ... [et al.]; edited by Lewis Porter

(Routledge, 2008)

The 35 piano sonatas = Die 35 Klaviersonaten

Beethoven; edited by Barry Cooper, fingering by David Ward

(Associated Board of the Royal Schools of Music, 2007)